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Study with Walter Ostrom and WVU in Jingdezhen, China

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West Virginia University (WVU) China Ceramics announces Walter Ostrom as one of our Fall Semester China Ceramics Program Visiting Artists. Join Walter and WVU at the Pottery Workshop this Fall Semester in Jingdezhen! See Imperial Blue & White Porcelain Capital of Jingdezhen, Qin's Terra Cotta Army, Great Wall of China, the Forbidden City, the hustle and bustle of Shanghai.

Walter Ostrom is an influential ceramic artist who has revived and modernized the making of low-fired tin-glazed pottery in Canada. He was born in Binghamton NY and is a graduate of Ohio University. Walter recently retired as the Professor of Ceramics at Nova Scotia College of Art and Design (NSCAD). His work has been featured in collections and exhibitions worldwide, including the Canadian Museum of Civilization and the Victoria and Albert Museum, London. Walter was one of the first western artist/educators to begin traveling to Jingdezhen, to study, teach, and research Chinese Ceramics. Announcements for additional Visiting Artists will be made in the near future.

Through a unique linkage, West Virginia University and Pottery Workshop have teamed to offer a comprehensive study and travel opportunity for students and the serious advanced or professional ceramic artist/potter. Join us for a once in a lifetime experience and join us in the Imperial Porcelain Capital of Jingdezhen. Participants will have the opportunity to study with some of China’s most prominent teachers and ceramic artists. For those who interested in undergraduate or graduate credits, the WVU China Ceramics Program will enable you to earn accredited WVU credits for the programs.

Fall Semester 2013
September 7 – December 14
(Dates and prices may vary slightly)
More information and applications are available at:
http://art.ccarts.wvu.edu/international_programs/china_program

If you have any questions feel free to contact us. Hope to see all of you in Jingdezhen, China!

Shoji Satake Assistant Professor of Art West Virginia University

Julia Galloway Workshop at Clay Mix

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I had the pleasure of visiting Clay Mix studio in Fresno this past weekend for Julia Galloway's workshop. I have been a fan of her work for many years but never had the opportunity to see her demo. She was an energetic, thoughtful and funny demonstrator.


Pulling the Christmas Cactus handle

Teapot, Celery, Peas, Green Beans and Christmas Cactus handles.




I also interviewed her for an upcoming Red Clay Rambler podcast. It was a fun conversation that I look forward to bringing you guys in the upcoming months. As a teaser for the interview I thought I would poach my own Twitter feed and bring you a few quotes from the workshop. Lots of gems to think about. I especially like "Art is about life, Craft is life." I'll have to store that one in the memory banks for future use.




Jason Bige Burnett on the Tales of a Red Clay Rambler Podcast

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This week on the Tales of a Red Clay Rambler Podcast I have an interview with ceramic artist Jason Bige Burnett. His colorful ceramics reference the illustrative style used to depict pottery in cartoons. Using screen-printing techniques Jason incorporates energetic patterns that give his pots a sense of youthful excitement. In the interview we talk about his aesthetic, the current image transfer trend in ceramics, and the yearly ceramic surface forum that he founded. He is currently an artist-in-residence at the Arrowmont School for Arts and Crafts. For more information on his work please visit www.jasonbigeburnett.com.

To subscribe to the Red Clay Rambler podcast on iTunes please click here. You can also stream the latest episode on the podcast tab for the site. Click here to listen.




Jason also works as a graphic designer. One of the topics we discuss in the interview is the choice to design around an icon, like the 70's male figure above, or a pattern, like stripes. Check out some of the layouts he did while he was a Core Fellow at the Penland School. 

Highlights from In the Mix at Crimson Laurel Gallery

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Carole Epp

David Eichelberger

Elisa DeFeo

Emily Reason

Kelly O'Briant

Nate Prouty

Richard Nickel

These are just a few of the great collection of work on display now at Crimson Laurel Gallery for In the Mix. The show features 19 artists who participated in this years Ceramic Surface Forum at Arrowmont. The show will be up through April 30th and is available online at www.crimsonlaurelgallery.com.


I sent a flower brick that just doesn't look complete until it is filled up with flowers. It is a good form to have as spring time approaches.

Highlights from Distilled Essences at Charlie Cummings Gallery

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Lorna Meaden

Cheyenne Chapman Rudolph

Doug Peltzman

Forrest Lesch-Middleton

Ted Neal

Brett Freund

Chris Pickett

Shawn Spangler

Yoko Sekino-Bove

Charlie Cummings Gallery is featuring Distilled Essences from March 2nd - 30th. The exhibition features a wide range of pouring vessels from 16 artists around the U.S. These are just a few of my favorites so make sure to check out the whole show at www.claylink.com.

I sent five decanters of various types for the show. The two forms below are ones that I want to make again. It is a bit odd for me to make these because I have never used a decanter in my life. I don't think I am unique in this experience. Decanters sit firmly in the realm of the antiquated object. They are a symbol pointing towards the past and a rich man's drinking custom on the edge of extinction. When I see a decanter I can't help but divorce it from its function. I see them more as a symbol of wealth than a functional object.

This show pushed me to question the other forms that I make that are more about ideas than use, i.e. cake plate = decadence, etc. Somewhere in the questioning of the decanter there is a kernel of insight about objects being symbols. I can't put my finger on it yet but I think these forms will lead me to ask the right questions in the studio.




Come play HIDE'N'SEEKAH with us at NCECA!

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"HIDE'N'SEEKAH will be hiding 36 pieces of pottery in Houston, TX during this year's NCECA conference.  Clues to find each artist's work will be posted on their own personal Instagram feed (which is why you have to follow all 36 of them and not just 
HIDE'N'SEEKAH).  Not on Instagram?  No better time to start!  Finders keepers!  HIDE'N'SEEKAH is NOT an official NCECA event!!!"

To follow me on Instagram click here or look up @carterpottery from within the app. To find all 36 potters on Instagram look up @hidenseekah or click here. Once you follow all of us look for clues on where our pots are hidden in Houston. It should be a ton of fun and you might come away with a free pot. Here is the yunomi I sent for the event.


You can also keep in touch by liking the HIDE'N"SEEKAH fan page. Click here to visit.

Social Media: So many options...pt. 2

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This post continues a series starting with Social Media: Understanding our Digital Relationships pt. 1

I use many different forms of social media to interact with friends and customers. As I discussed in the earlier post each platform encourages varying levels of communication and participation by its users. Here is a run down of the platforms that I use, and the level of commitment required by the user and consumer.

Twitter and Instagram

Twitter targets the equivalent of a casual acquaintance. The 140 character limit is perfect for communicating with the "friends of friends" type that you might only interact with at a party once a year. I want to know what they are up to but I probably won't call them on the phone. This rings true for business relationships as well. Twitter is great for checking the pulse of the ceramic world through galleries and individuals posting their most recent events. Instagram is the visual equivalent to Twitter allowing you to post your photos or view other peoples' images. As a format they both require very little commitment allowing you to easily pop in or out of the environment.

Mail Chimp

I use Mail Chimp to distribute a digital newsletter. It is the most reliable way to interact with my diehard customers. Each person has to opt-in and sign up to be part of the mailing list. Everyone who receives the newsletter has already expressed interest in my work, which is a nice contrast to less direct forms of social media communication. To draw a comparison, using an opt-in form of social media is similar to fishing with a fishing pole. You cast the information to a specific spot and usually get a few bites each time you cast. In contrast a format like Twitter is similar to fishing with a loose net. You throw your information out there and drag back whatever gets caught. At times this includes things you might not want, i.e. overnight Twitter followers that want to sell you everything from website design to health plans.

The commitment level is relatively low for a newsletter because the out put is low. My Carter Pottery newsletter goes out quarterly and my Tales of a Red Clay Rambler podcast newsletter goes out biweekly as episodes are released. The individual newsletters are longer than a standard blog post but they come infrequently. People seem to be willing to read deeper into each edition because they are only asked to read on a semi-regular basis. Digital newsletters are especially useful for targeting the digital middle class. This mildly tech savvy group is very comfortable interacting through email but may feel intimidated by following blogs or downloading podcasts.

Facebook

Everybody knows Facebook and everybody knows everybody on Facebook. It can be used for highly personal contact or for contacting total strangers. I use both a personal Facebook account and a Carter Pottery fan page. For the sake of this post I will focus on the fan page. The main advantage to Facebook is the ability to network quickly. An image or status update can be shared from friend to friend with the click of the button. This allows your info to ripple out into a larger group of like-minded people. Theoretically all social media shares this viral quality but I have noticed sharing happens more often on Facebook. I am amazed at how fast information can travel on Facebook.

Twitter is another common share-based format but the shelf life of a tweet is considerably shorter. Unlike Twitter it is common for Facebook users to read a page backwards from the present day to access older information. I often get "likes" for pictures I posted months or years ago. This post-dated reading allows you to build momentum and a following in an easier way.

The commitment level is low for both the viewer and the creator. From a purely business (a.k.a. numbers) standpoint Facebook has been my most successful form of social media. I can reach hundreds of people very quickly with information that has staying power. (This is a good definition of a successful social media platform so I'll come back to this in the next post in the series.)

Blogger

A blog is an umbrella term for a digital location where various forms of information can be posted within a chronological timeline. The information itself can be as simple as an online journal, or it could be as complicated as multimedia presentation. For my blog I choose to use Blogger, one of the original easy to use blog formats. Another popular format is Word Press, which integrates blog posting capabilities into traditional website formats. The visual differences between blogs and websites are relatively small. The main functional difference between the two is that blogs offer the ability to read backwards down the information pipeline. You can read a person's post from a specific date in the past, making the reading experience more personal than a website.

Versatility is the greatest strength of the blog. You can literally do anything on a blog. Many people post quick image-based posts that can be created and viewed in under five minutes, while others post in-depth essays on a topic. Another strength of blogging is the ability to search through blog archives with search engines. This makes blogging one of the easiest ways to generate searchable content, thereby increasing your internet presence within Google and other noteworthy centers of internet power. Blogging represents a moderate level of commitment from both the viewer and reader. 

Podcasting through Libsyn 

Libsyn is a podcast distributer. For those that might be new to this form of social media, podcasts are short-form "radio" episodes that can be shared as MP3 files or streamed through servers. They represent a high level of commitment from the producer and a moderate level of commitment from the listener. To start a podcast you need basic recording equipment, editing software and a computer. Like many forms of social media there is a steep learning curve during the beginning stages. I spent many hours teaching myself the software and hardware involved in recording. There was a lot of trial and a whole lot of error, but now I can make a podcast in about five hours. For the consumer, podcast listening requires an MP3 capable device (smart phone, ipod, etc), a computer to download, and time to listen. Thankfully iTunes makes the downloading very simple with the option to subscribe and automatically download a podcast. Listening can be done at any time. I often listen to podcasts while I exercise or work in the studio.

In comparison, podcasting has the ability to provide information with a deeper impact than other social media. No other form of social media is matched in duration or level of intimacy. My podcast features artist interviews and averages an 1 hour and 10 minutes per episode. The length allows me to cover a whole range of detail that is not accessible through short-form social media.

Part of podcasting's ability to connect is the way a consumer ingests a podcast. Listening, versus seeing, increases the retention of information because listening is a more intimate action. There is an interesting phenomenon associated with listening. When you listen to someone repeatedly you start to feel like you know them even if you have never met them. This familiarity creates a connection that is not possible through other social media. As the listener forms a relationship with the podcast they are more open to receive information that may have been overlooked on other forms of social media.

Video sharing through Youtube

Youtube is one of many free video sharing sites. The level of commitment for video sharing is high for a producer and low for a consumer. Like podcasting, video making requires a large financial and time investment. Video production can be simple or complicated based on the level of professionalism you want the video to portray. To make a video that meets basic standards you will need video and sound recording equipment, editing software, a large hard drive for data storage, and a computer. For the consumer, video watching is very simple. You only need a computer and an internet connection capable of downloading the large file sizes of most videos.

While video making requires the most effort of any social media tool it can provide the most rewards. Video engages our eyes and ears in a way that leaves us mesmerized. There is a reason TV's have been cast as robotic overlords. They easily grab our attention in today's fast paced world. Unfortunately retention of information is not always reciprocal to engagement with a video. We are so bombarded with videos (TV, movies, etc.) that we tend to glaze over while we watch. A successful video grabs the viewer's attention while providing a take-away message. This could be seen as the foundation for all social media but it is essential for video making.




With so many options for social media I want to end this series by answering the question "Which form of social media should I choose?" I'll address that in my next post so check back later in the week for the conclusion of the series. To blow your mind with even more options I thought I would post this info graphic by FredCavazza.net explaining the major players in the social media landscape for 2012. So many options...

Carole Epp on the Tales of a Red Clay Rambler Podcast

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This week on the Tales of a Red Clay Rambler Podcast I have an interview with ceramic artist Carole Epp. Her sculpture addresses social issues such as consumerism through the reconfigured forms of kitch figurines. She says of her work, "Cute on the surface, my work betrays its collectible figurine reference by subverting the idealist propaganda of historical figurines in exchange for the dark realities of contemporary humanitarian concerns."

In the interview we talk about her approach to social commentary, the darkness in her aesthetic and her excellent blog, Musing about Mud. For more information on her work please visit www.caroleepp.com. To view her blog please visit www.musingaboutmud.blogspot.com.

To subscribe to the Red Clay Rambler podcast on iTunes please click here. You can also stream the latest episode on the podcast tab for the site. Click here to listen.




Carole also produces a line of functional table ware for children. I love to see how see approaches the innocence of childhood through contrasting bodies of work. 

Exposure in the new issue of Ceramics Monthly

Emily Reason on the Tales of a Red Clay Rambler Podcast

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This week on the Tales of a Red Clay Rambler Podcast I have an interview with potter Emily Reason. She is the quintessential "potter's potter" making beautifully designed utilitarian ware for the table. Her newest body of work draws on both Chinese and North Carolina ceramic traditions.

In the interview we talk about her ongoing relationship with China, the nuts and bolts of running a studio pottery, and her experience writing a book on ceramics. Reason wrote the excellent Ceramics for Beginners: Wheel Throwing for Lark Books in 2010. For more information on her work please visit www.emilyreason.com.

To subscribe to the Red Clay Rambler podcast on iTunes please click here. You can also stream the latest episode on the podcast tab for the site. Click here to listen.






In the interview we also talk about Emily's recent foray into narrative sculptural vessels. Under the influence of Chinese funerary urns Emily has started to incorporate historical themed stories into her studio practice. The pots pictured above are based on tabacco farming and the Drover's Road. I'm very excited to see more of this work.

Sean O'Connell at Mudfire Gallery

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Sean O'Connell has a nice selection of new work up at Mudfire this month. Check it out at www.mudfire.com. I love the way he uses simple elements of design to make complex pots with a lot of suface depth in the decoration. For more information of Sean check out his website www.seanoconnellpottery.com.

Enter the Medalta Cup show! Do it, do it, do it....

Season 1 Podcast Pottery Give-a-way

Prouty, Puryear and Nickel talk Comics, SciFi and the Anti-Hero on the Tales of a Red Clay Rambler Podcast

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Richard Nickel "The Finger of Spring"
Adams Puryear "The Man with a Mask who makes Robots. With Robots."

Nate Prouty "Paffy"

This week on the Tales of a Red Clay Rambler Podcast I am featuring a panel discussion with Nate Prouty, Adams Puryear, and Richard Nickel. We discuss comics, SciFi and the role the anti-hero persona plays in American culture. The wide-ranging discussion starts with the premise that we are in the midst of a major aesthetic shift in ceramic arts. Under the influence of contemporary graphic culture the age of "round and brown" ceramics has given way to brightly colored forms heavily influenced by the narrative structure and style of comics and SciFi.

Nate Prouty is a ceramic artist who maintains a studio in Athens, Ohio. For more information on his work please visit nathanprouty.com. Adams Puryear is a ceramic artist who maintains a studio in Brooklyn, NY. For more information on his work please visit adamspuryear.net. Richard Nickel is an Associate professor and Program Director of Art Education at Old Dominion University. He maintains a studio in Norfolk, VA. For more info on his work please visit richardnickel.wordpress.com.

To subscribe to the Red Clay Rambler podcast on iTunes please click here. You can also stream the latest episode on the podcast tab for the site. Click here to listen.

Watch out Adele here comes "Rolling Clay with Keith"


Highlights from Akar Design's 2013 Yunomi Invitational

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Here are my favorites from this year's Yunomi invitational. I went online just yesterday and so many pots are already sold. I'm always amazed at the strength of Akar's marketing and online gallery presence.


Drawing style



Shanna Fliegel


Jenny Mendes


Shoko Teruyama


Betsy Williams


Kurt Anderson

Form



Tyler Gulden


Matt Kelleher

Pattern


Mark Errol

Michael Hunt


I am happy to have work included in the show this year. Here are a few of my favorites of the five that I sent. What you can't see in the photos are the dot drawings that occupy the negative spaces. Wish that subtle layer would show up better in photos. Head over to www.akardesign.com to see the rest of the show.





Check out the newly remastered Matt Long episode of the Tales of a Red Clay Rambler podcast

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After working on the Best of Season One episode this week I decided to go back and remaster the very first Red Rambler podcast with potter Matt Long. From a few of your comments I realized the first version must have been a little hard to hear. Even though it was one of the most downloaded episodes the poor sound quality has bothered me all year long. I learned so many do's and dont's from that first recording. Those mistakes helped pave the way for better recordings in the later episodes. The remastered interview is not perfect but it now has a much better sound. If you missed it the first time around give it a listen.

"This episode of the Tales of a Red Clay Rambler Podcast features an interview with American ceramic artist Matt Long. Known for his functional porcelain pottery, Long specializes in soda fired communal drinking vessels such as flasks, bottles and jugs. In the interview we discuss the dynamics of change in studio life, directing students through teaching, and traveling the ceramic workshop circuit."


And the winners of the Red Clay Rambler Podcast giveaway are.....

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Suzanne Scott from Charlottetown, Prince Edward Island, Canada wins this teapot set.

Stormie Burns from Tampa Bay, FL wins this Yunomi.



Joy Bridy from Shenandoah Junction, WV wins this butter dish. 

Thanks to all those who played along with the giveaway this year. (To make sure you are eligible for the next giveaway sign up for the mailing list at the top of the podcast tab.) Most importantly thanks for listening and supporting the Tales of a Red Clay Rambler Podcast throughout its first season. I had a great time interviewing all the generous artists that donated their time and energy to the podcast. Looking forward to putting out the Best of Season One episode in a few days


The Best of Season One of the Tales of a Red Clay Rambler Podcast

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Chandra Debuse (USA)


Christin Johansson (SE)

To celebrate the one year anniversary of the Tales of a Red Clay Rambler Podcast I am featuring a compilation of excerpts from season one of the podcast. While all of season one's episodes are unique and enlightening in their own way, these clips raise topics that I haven't been able to shake out of my head. The episode features excerpts from interviews with Matt Long, Chandra Debuse, Christin Johansson, Nina Hole, Willow Neilson and Jason Burnett. I am eternally grateful to all the artists who took part in Season one of the podcast.


Jason Burnett (USA)


Matt Long (USA)


Willow Neilson (AU)


Nina Hole (DE)

To subscribe to the Red Clay Rambler podcast on iTunes please click here. You can also stream the latest episode on the podcast tab for the site. Click here to listen.

Help support the new MJ Wood Memorial Short-Term Residency Fund at Red Lodge Clay Center

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The "MJ Wood Memorial Short-Term Residency Fund" will support ceramic artists who wish to develop a body of work with a socially-conscious spirit, a sense of community engagement, and with the intent to DO GOOD with their creativity and skill. The residency will be housed in the studio of Red Lodge Clay Center in Red Lodge, MT where residents artists will have the opportunity to work in a first-class facility for one month. Their project will also receive international attention through the Red Lodge Clay Center website.

Here are a few social practice projects and articles that underscore the spirit of the MJ Wood Residency. They help define the currently trending term "social practice" and show the power art can have to create positive change in the community.

Bowls Around Town
Outside the Citadel
The work of Sharon Kallis
Puppets N People
Craftivism

Michael Hutton and Jill Foote-Hutton have committed to an annual contribution of $450 to underwrite a one month short-term residency at Red Lodge Clay Center, but would like to see this opportunity take root and grow into an endowment. To achieve this goal they have created an account to accept donations at any level, in memory of Jill's maternal grandmother, Marguerite Joyce Wood, who set forth the intention of DOING GOOD in all her children. Joy was always engaged in learning or executing a new craft, for several years she ran a small ceramic shop in Missouri, and she always had space at her table for an extra friend.

The MJ Wood fund has an Indiegogo campaign with lots of interesting rewards for donating to the cause. Click here to check out their campaign on Indiegogo or if you would like to send a donation, at any level, send a check or money order to:

Altana Federal Credit Union
ATTN: MJ Wood Memorial Short-Term Residency Fund
PO Box 1188
Red Lodge, MT 59068


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